Producers of First Italian Netflix Doc Series ‘SanPa: Sins of the Savior’ Ramp Up Projects on Vittorio De Sica, National Scandals (EXCLUSIVE)

Producers of First Italian Netflix Doc Series ‘SanPa: Sins of the Savior’ Ramp Up Projects on Vittorio De Sica, National Scandals (EXCLUSIVE)

Producers of First Italian Netflix Doc Series ‘SanPa: Sins of the Savior’ Ramp Up Projects on Vittorio De Sica, National Scandals (EXCLUSIVE)

Netflix’s first Italian original doc series “SanPa: Sins of the Savior” follows controversial drug rehab founder Vincenzo Muccioli, and has made a splash on the platform since its Dec. 30 debut. In the last week, the series has cracked the platform’s top 10 most-watched programs in Italy, and currently holds the number 2 spot after “Bridgerton.”

Directed by Cosima Spender — whose 2015 doc “Palio,” about the storied horse race held in Siena, went to Tribeca — “SanPa” is a deep dive into the complexities of Muccioli’s rise to national prominence, and the dubious methods used at his rehab center. As promotional materials put it, the charismatic Muccioli cared for the addicted, earning him fierce public devotion — even as charges of violence began to mount.”

Those charges included aiding and abetting the murder of one of his rehab’s residents, Roberto Maranzano, who in 1989 was beaten to death in a slaughterhouse within San Patrignano, the large therapeutic community that Muccioli founded in 1978 on a hilltop near Rimini, the central Italian city that, incidentally, was Federico Fellini’s birthplace. Muccioli, who died in 1995 before a definitive verdict could be reached, always maintained his innocence. 

“SanPa” is produced by a new Milan-based company simply called 42, and is being compared by Italian critics to other standout Netflix doc series such as “Wild Wild Country,” about controversial Indian guru Bhagwan Shree Rajneesh (Osho), as well as “Making a Murderer.” It features a wealth of archive materials and, besides being directed by Spender, was crafted by a top notch production team comprising chief editor Valerio Bonelli (“Darkest Hour,” “Palio”), cinematographer Diego Romero Suarez-Llanos, who regularly works with Italian doc maker Roberto Minervini (“What You Gonna Do When The World’s on Fire”), and composer Eduardo Aram (“El Chapo”).

The “SanPa” project is the brainchild of Italian journalist Gianluca Neri, who teamed up with Nicola Allieta — who, in a separate guise, is senior distribution manager at Copenhagen-based digital distributor Sweet Chili Entertainment — to bring the project to Netflix. Biografilm Festival founder Andrea Romeo and producer Christine Reinhold, who are all executive producers on the series, also came on board.

Along with Italian Internet pioneer Marco Tosi, Neri and the others also formed 42. Now, the ambitious new company, segueing from “SanPa,” has several high-profile film and doc projects in advanced stages of development. Romeo early last year left 42 to become head of the doc unit at Italy’s Palomar, the outfit behind “Inspector Montalbano.”

“The idea [behind 42] was to set up a company that could generate a type of product that does not yet exist in Italy,” Allieta told Variety. Neri added that they “want to tell big stories with top notch production values that can travel around the world.”

Below are the standout projects currently in the 42 pipeline:

  • A feature film based on Vittorio De Sica’s book “La porta del cielo” (The Door to Heaven), which details the production of the neorealist master’s film of the same name during World War II. This project, which had been languishing in development for years with various other companies including Miramax, is the true story of the making of De Sica’s “Porta,” a film about religious miracles funded by the Vatican. The hastily invented project was actually the director’s escape route from collaboration with the Nazis following a personal invitation from Goebbels to help relaunch the Italian film industry under the auspices of Mussolini’s puppet regime. Appalled by their plight during the German occupation of Rome, De Sica cast many Jews in the film to spare them from Nazi persecution, extending the shoot until the American allies arrived in the capital. They are in talks with several unspecified U.S. production companies.
  • A doc series about the 2010 murder of a 13-year-old girl named Yara Gambirasio that prompted genetic samples being taken from nearly 22,000 people — a DNA dragnet that exposed many intimate family secrets in a quiet northern city in Lombardy. Neri was a consultant at the trial and had access to court materials. Though this case has been covered in a Sky and BBC doc, Neri and 42 want to do something more in-depth.
  • A doc series titled “Coke on the Water” about Italian motorboat mechanic Gianfranco Franciosi, who moved tons of cocaine across the Atlantic for the Colombian and Spanish cartels, but also became a police informant. This story has in part been recounted by a recent RAI TV drama, but Neri said the 42 doc series, besides being non-fiction, will also cover more ground.

 

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Written by Oli Coleman